1911 Corset; Finished!

I managed to finish my corset before the deadline!





In order to use my melty cotton I interfaced it and then I flat lined it with a stiff pink cotton poplin that I already had on hand. I then flat felled all the seams for strength and to prevent adding the extra bulk of a separate lining. I used some of my French red and white striped ribbon to make my boning channels which I placed along the seams. In this image you can see the poplin, boning channels, fabric and sewn seams just before I inserted my busk.





And after I had inserted and pinned my busk in preparation for sewing. I got my busk and garters from Armory Auctions. Everything I ordered from them is of exceptional quality and it was all very well packaged so as not to be bent or broken during shipping. I can not recommend them enough.





The busk studs after insertion, with blue chalk dots denoting placement still visible. I do not own an awl so I used a combination of a large needle, and several knitting needles to poke my holes. I find this makes the fabric less likely to rend around the studs, I do the same for my eyelets.





I hand bound my eyelets for a combination of reasons, one: I did not want to buy additional parts such as eyelets and a setter which I would then have had to wait on to arrive. Two: I prefer the look of hand stitched eyelets, especially how it ties in with the flossing, and three: I already had my floss on hand. I actually stitched around ten eyelets too many as I wanted to hem the corset on my body and thus made it with a very long hem.





I used the same floss I used for the eyelets to do the flossing for my boning. I decided on a pattern following a tutorial from Sidney Eileen which I like because it holds in the boning well and is also a very nice style visually. Unfortunately it does make a more visible mark inside the corset, but I accept that as the cost of having sturdier bones.





I used the stripes on my fabric to cut out my garters as they were the exact width I needed. Since the corset has a straight front the addition of the garters visually elongate the corset by continuing the stripes downward. Here is a picture of the finished corset on Sally Stitch as it was on the evening of February 24th.





You can not really tell from the picture, but after I photographed the corset on Sally I decided to add some of my vintage lace to the top after all, I had decided not to because I only had 26 inches of lace and my corset sits high. Luckily I had just enough to fit around the top edge and to turn under at the sides.





Unfortunately I did not manage to get decent pictures of it taken while on my body. In fact I still don't have any good ones of myself wearing it. I have worn it though, and I must say that it is quite comfortable, much more so than ones I have purchased. Here is the only picture that I will post of it being worn for now, it is a quite unfortunate picture; taken via my reflection in the bathroom mirror. But it allows one to see how the corset looks on a body.




In this picture I have around a four inch gap at the back. I can lace it fully closed and still be quite comfortable though. It also provides good bust support, though not quite as good as a modern brassiere. I plan to make a proper bust bodice to go with it soon, hopefully I will be able to get some pictures taken soon as well!

Au revoir

1911 Corset

So I decided to join the Bridges on the Body 1911 corset sew along.




Of course I decided to join in a month late, I am making swift progress though.
I altered the pattern for the Post Edwardian long line Corset from the Bridges on the Body blog. I added a curvier high hip line and a higher front bust, I plan on making it have a slightly high front for support, but not so high that it prevents breastfeeding. I will be cutting the shape into the final corset so the placement will be correct.


I realized after cutting my toile that attempting to pin alterations on myself was out of the question, luckily I have Sally Stitch. But sadly while Sally has my measurements, she has never approximated my actual shape. She needed some help in the hip and bust area in order to allow me to use her for fitting purposes. To this end she is now wearing a bra, several cloth diapers and two ace bandages, and yes, she does pad her bra.




It really wasn't too difficult; the hardest part being pulling the ace bandages taut whilst holding the diapers in place and keeping her from tipping over.

Next, I needed to get my corset fabric. I went to the local fabric store, Joanne Fabrics, of course I knew this was a mistake, but there is nowhere else to go in this area. There I found a very pretty pink and ivory striped ticking, it was labeled 100% cotton, and so I bought it.




Unfortunately, it melts at rather low temperatures rather like an acrylic will do. I returned and talked to the customer service woman about it and was summarily informed that "if it said it was cotton, it was, we don't make mistakes on our labels". So there you have it Joanne never makes mistakes and has invented meltable cotton.

I have now backed said fabric with interfacing and flatlined it in a pink cotton for strength. I will be using some vintage lace as trimming along the top and may embroider the buttonholes by hand instead of using metal eyelets.

I sewed together my toile using my 2009 Singer sewing machine, you will notice the seam puckering in the images below. For some reason it can't handle sewing through thin fabrics. Or thick fabrics. Or several layers of fabrics. Or in a straight line.

I plan on using my 1890's Singer treadle to sew the actual corset.

This is the toile from the front, with an as yet unedited bust height, this will be quite reduced in the final model.




And from the back, before I added some waist reduction.




I am waiting for various corset accouterments to arrive from overseas, and other locales, (Busk from England, lace from France, Ribbon binding from Pennsylvania, and more lace from Tennessee). So for now I will be sewing the actual corset. I will be flat felling my seams for strength and to prevent fraying. I may also play with bone placement because of the curves inherent in my seams and this way they will all be neatly enclosed.

À plus tard